this piece is a portrait of Coco Chanel, i really like how the detail is focused on the face but then the colour gradually because loose and not contained in the portrait, place which have not had detailed paint work/ pen work added to it uses the watercolour wash to its advantage, as it shapes the outline of her clothing subtly. i think the colours uses are really appropriate for illustrating Coco, as herself as a fashion designer used muted colours.
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Kim Gyu-Seul
block colours and shape. as Chanel's fashion designs are tailored, simple, clean cut, with muted colours,i thought about ways i could show this in my illustrations. i really like how Kim Gyu-Seul has used the background colour of her illustration to shape the coat without having to actually to give it a separate outline, i feel this makes the piece look really clean and simple and also gives a it a contract. |
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Judith van den Hoek
this illustrator has done a similar thing as Kim, keeping the detail of the garments very simple, however she has used one outline to do so instead of colour. i like this as it focuses the attention to the face, however i think some colour would be idea to operate the garment from the background. as i am wanting to give the piece that i produce more of a narrative about Coco, i could play around with adding visuals inside the outline of the garment. |
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Ness Cerciello
i really like the detail this illustrator uses in her portraits, by not giving the garments in the image a outline i feel it makes the illustrations really pop.
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| i chose this image to draw from as i feel the pose it quite challanging to the reader to find out her story, and sort of reads 'you dont know nothing about me' with the cross arms, and the smug smile, i think it really puts across her apparent stubborn nature. |
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