assuming i would use brusho on my prints - after testing this out more times and discovering other more effectual ways to add colour i realised this was not the best technique.
forming the shape of a question mark with the composition of my prints - after talking with fred, i realised i was overwhelming myself with ideas and concepts so i decided to reel my ideas back in making them more simple, creating nonsense scenes out of 2 or 3 motifs as this is all that was needed to communication my nonsense concept, i feel by keeping them simple also doesn't overwhelm the viewer in trying to figure them out, though they are nonsense puzzling scenes, i like how they can be just enjoyed as a image rather than a question that needs working out, which is what the question mark was insinuating.
using darker colours to connote the darker feelings- because i have only used 2 motifs per print, i have only used 2 colours to colour the prints, and therefore i did not want to use one of the colours up on a dark colour when the majority of my print will be black anyway, and therefore any other dark colour will not give me the vivid print i want.
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